At the start of his career, Seurat followed a traditional path: taught to paint by a pupil of Ingres, Henri Lehman, at the École des Beaux-Arts in Paris; studying the works of early Italian and 17th-century French artists in the Louvre; and then exhibiting at the official Salon. His drawings in Conté crayon allowed for very subtle tonal gradation; they shimmer in a manner akin to the effect created by Seurat's pointillist painting technique.
Seurat combined a traditional approach, based on his academic training, with a study of modern techniques, such as Impressionism. He also applied ideas from contemporary optical theories of colour relationships. Seurat's disciplined work, which contrasts with that of many of his Impressionist contemporaries, was very influential.
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Angelica at the rock. After ingres 1878 |
Head of a Girl 1879 |
Landscape at Saint-Ouen 1879 |
Vase of Flowers 1879 |
The Forest at Pontaubert 1881 |
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Gardener 1882 |
Landscape in the Ile-de-France 1882 |
Peasant with Hoe 1882 |
Suburb 1882 |
The Mower 1882 |
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Young Peasant in Blue 1882 |
Clothes on the Grass 1883 |
Farm Women at Work 1883 |
Man Painting his Boat 1883 |
Peasant Woman Seated in the Grass 1883 |
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Black Horse 1883 |
The Watering Can 1883 |
Village Road 1883 |
Bathers at Asnieres 1884 |
Corner of a House 1884 |
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Horse and cart 1884 |
La Grande Jatte 1884 |
Riverman 1884 |
Rue St. Vincent in Spring 1884 |
Study for A Sunday on La Grande Jatte 1884 |
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The Couple 1884 |
Landscape with Figure. Study for 'La Grande Jatte' 1885 |
Low Tide at Grandcamp 1885 |
The Bec du Hoc, Grandcamp 1885 |
The Seine at Courbevoie 1885 |
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View of Fort Samson 1885 |
Alfalfa, St. Denis 1886 |
End of the Jetty, Honfleur 1886 |
Hospice and Lighthouse, Honfleur 1886 |
Sunday Afternoon on the Island of La Grande Jatte 1886 |
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The Maria, Honfleur 1886 |
The Bridge at Courbevoie 1887 |
Circus Sideshow 1888 |
Harbour at Port-en-Bessin at High Tide 1888 |
Port-en-Bessin Entrance to the Harbor 1888 |
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Port-en-Bessin, The Outer Harbor, Low Tide 1888 |
Port-en-Bessin, the Semaphore and Cliffs 1888 |
Study for 'Invitation to the Sideshow' 1888 |
Sunday at Port-en-Bessin 1888 |
The Channel at Gravelines, Grand Fort-Philippe 1888 |
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The Harbour and the Quays at Port-en-Bessin 1888 |
The Models 1888 |
The river Seine at La Grande-Jatte 1888 |
The Seine at La Grande Jatte in the Spring 1888 |
The Eiffel Tower 1889 |
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View of Crotoy, the Valley 1889 |
Beach at Gravelines 1890 |
Chahut 1890 |
Study for 'The Channel at Gravelines' 1890 |
Study for 'The Channel at Gravelines, Evening' 1890 |
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Study for 'Young Woman Powdering Herself' 1890 |
The Channel at Gravelines, Evening 1890 |
The Channel at Gravelines, in the Direction of the Sea 1890 |
The Channel of Gravelines, Petit Fort Philippe 1890 |
Young Woman Powdering Herself 1890 |