Paul Gauguin styled himself and his art as "savage." Although he began his artistic career with the Impressionists in Paris, during the late 1880s he fled farther and farther from urban civilization in search of an edenic paradise where he could create pure, "primitive" art. Yet his self-imposed exile to the South Seas was not so much an escape from Paris as a bid to become the new leader of the Parisian avant-garde. Gauguin cultivated and inhabited a dual image of himself as, on the one hand, a wolfish wild man and on the other, a sensitive martyr for art. His notoriety helped to promote his astonishing work, which freed color from mimetic representation and distorted form for expressive purposes. Gauguin pioneered the Symbolist art movement in France and set the stage for Fauvism and Expressionism.
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Clay jug and irin mug 1880 |
Quarries at Pontoise 1882 |
Street in Osny 1883 |
By the Stream, Autumn 1885 |
Self Portrait 1885 |
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Still Life with a Mandolin 1885 |
Lollichon Field 1886 |
Pots and Boquets 1886 |
Still Life with Profile of Laval 1886 |
A seashore 1887 |
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Apples in bowl 1888 |
Breton girls dancing 1888 |
Breton Women at the Turn 1888 |
In the Heat. The Pigs 1888 |
Night cafe, Arles 1888 |
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Old Women of Arles 1888 |
Portrait of Madelaine Bernard 1888 |
Self portrait at Lezaven 1888 |
Self-Portrait Dedicated to Vincent van Gogh. Les Miserables 1888 |
The Vision after the Sermon. Jacob wrestling with the Angel 1888 |
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Brittany Landscape 1888 |
Washerwomen at Roubine du Roi 1888 |
Willow by the Aven 1888 |
Beach at Le Pouldu 1889 |
Bonjour, Monsieur Gauguin 1889 |
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In the Waves. Dans les Vagues 1889 |
Landscape with two breton women 1889 |
Self Portrait with Halo 1889 |
Still Life with Apples, a Pear and a Ceramic Portrait Jug 1889 |
Still life with onions, beetroot and Japanese print 1889 |
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The Beautiful Angel. Madame Angele Satre, the Innkeeper at Pont-Aven 1889 |
Willows 1889 |
Yellow Christ 1889 |
Yellow Haystacks. Golden Harvest 1889 |
Young breton by the sea 1889 |
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Young Breton Woman 1889 |
Self portrait with mandolin 1889 |
A blue roof. Farm in Pouldu 1890 |
Haystacks in Brittany 1890 |
Houses in le Pouldu 1890 |
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Self Portrait 1890 |
Self Portrait with the Yellow Christ 1890 |
Still life with apples and green vase 1890 |
Melancholic 1891 |
Road in Tahiti 1891 |
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Are You Jealous? 1892 |
Arearea 1892 |
Her nami is Vairaumati 1892 |
The sacred mountain 1892 |
The Seed of the Areoi 1892 |
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Spirit of the Dead Watching 1892 |
Two sisters 1892 |
Vairumati 1892 |
What's New 1892 |
When are you Getting Married 1892 |
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Where are you going ? 1892 |
Whispered Words 1892 |
Alone 1893 |
Among the lillies 1893 |
Annah the Javanese 1893 |
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Hina, Moon Goddess & Te Fatu, Earth Spirit 1893 |
Self Portrait in a Hat 1893 |
Self Portrait with the Idol 1893 |
The moment of truth 1893 |
Woman Holding a Fruit 1893 |
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Breton village under snow 1894 |
Christmas night 1894 |
Farm in Brittany 1894 |
Farm in Brittany 1894 |
Sacred Spring Sweet Dream. Nave nave moe 1894 |
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Self portrait with palette 1894 |
Siesta 1894 |
Village in the snow 1894 |
Young Christian Girl 1894 |
Barbarian poems 1896 |
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Eiaha Ohipa or Tahitians in a Room 1896 |
Still life with teapot and fruits 1896 |
Vase of flowers 1896 |
Why Are You Angry 1896 |
Nevermore 1897 |
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The Idol. Rave te hiti aamu 1898 |
Tahitian pastorale 1898 |
The White Horse 1898 |
Landscape 1899 |
Two tahitian women 1899 |
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And the Gold of Their Bodies 1901 |
Still Life with Sunflowers on an armchair 1901 |
Barbarous Tales 1902 |
Riders on the beach 1902 |
Still Life with Parrots 1902 |
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The Sorcerer of Hiva Oa. Marquesan Man in the Red Cape 1902 |
Self portrait with spectacles 1903 |
The Invocation 1903 |
Women and white horse 1903 |
Apples, Jug, Iridescent Glass 1884 |